Straightaway_April_06

UPDATED April 19 , 2011

On the net at this address since 1997

30 years presenting American dramatic small movies

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THOMAS GRIFFITH

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....you can’t resist it. It has that sleazy intensity, like some guy really believed in this story, then you end up staring at it like a six car crash on the Autobahn, thinking, “There is a rare psychotic beauty here.”      Joe Bob Briggs    Movie Critic “The Movie Channel” “Joe Bob Goes to the Drive In”, and the “Dallas Times-Herald” from his 2001 review of “DARK DANCES” Thomas Griffith’s first full length feature.

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With Gina Valona in LA for X

Thomas Griffith was born in a house that served as a doctor’s office just off the main square in a little farm town in south eastern Indiana.  His grandfather was a noted mover in liberal Indiana politics A few miles up the highway, a few years later, his Mom’s sister, Aunt Marilyn, produced rock star John Mellencamp.   Griffith ended up in Terre Haute. Right after graduation from high school, he hit Route 66 in a Triumph sports car hoping to find California and pursue a career in formula car racing, but, never got further than Amarillo, Texas.  Griffith took a job working the night shift at a gas station on Route 66 and street racing for extra bucks on the weekend. When winter hit in 1963, Viet Nam was gearing up, it sounded like an adventure, and the day after John Kennedy was assassinated, Griffith signed up. As it turned out, Griffith couldn’t hit a bull’s ass at 5 feet, let alone a bull’s eye at a hundred yards, so instead of Viet Nam, Griffith ended up turning wrenches on fighter jets in Montana. After the service, Griffith attended the University of Denver where he received a degree in economics and finance. During the first year of college, Griffith experienced the assassinations of Bobby Kennedy and Martin Luther King. Those events, plus a summer of working at Fitzimmons Army Hospital pushed Griffith more towards political activism.  Griffith’s first experience in production came from a then gf’s roommate who drafted him to create a program for the campus tv station, on the premise that he was “more full of crap” than anyone else she knew. The program ran for several years. After graduation Griffith earned a living as a tennis pro. Married a cheerleader who happened to be one of his students and had a family.  He retired from tennis at 40, and without many career options, became a filmmaker.

(Below) In 2005 Griffith directed legendary underground filmmakers Mike Rohr and Al Sevilla in Washington, DC for American Skin II

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Principals of the award winning “Rope Art” on the streets in Beverly Hills in 2001.  Thomas Griffith, Jeanne Holland Griffith, Mary Tinoco, and Steve Graziani

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Thomas Griffith directs the riot scene in downtown Miami for “Rope Art”  Below, Thomas Grifith discusses set up with DP Greg Browning and music video shoot.

In Krakow, Poland for the production of the PBS  doc, “The Magda Watts Story”. The film is still a regular on the festival circuit.

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Going over a scene with Mike Rohr and Patsy Sevilla in Arlington, VA Am Skin II

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